|
 The Paracas Zone Geoglyphs |
|
|
Paracas
Peninsula Pisco Ica Peru |
|
|
|
|
|
|
In the ancient times, the area used to be the home of
an ancient civilization called "Paracas", that existed
during the pre Colombian era. The most famous remnant of
this culture is the "El Candelabro" geoglyph, carved on
a hillside on the way to Ballestas islands. The length
of the "El Candelabro" geoglyph is 128 meters.
The amazing thing in the
geoglyphs of Peru is the fact
that they mostly survived intact. The fact that
the weather is minimal with almost
no rain played an important role.
However, some geoglyphs were
modified or erased by later
cultures. |
 |
|
|
|
|
Candelabro
Specifications |
-
Maximum length: 183 meters
(600 feet)
-
Arm width between three and
five meters (9 and 16 feet)
-
Depth of the furrow:
between 1 and 1.2 meters. At this time, in some
places the sand has covered some parts of the
furrows, reducing the depth to about 30 centimetres.
-
The rectangle in the base: 20 by 14 meters (65 by 45
feet), with a crater in the middle of it.
-
By simple look one will think that the figure was
done by emptying the sand and pressing between the
walls.
-
There is no explanation, about how it still there
and how the desert winds have not been able to erase
it.
-
If you excavate in the surrounding area there is
some white-yellow crystals common in the Paracas
area.
-
Thousands of years ago the Trident could shine
like a silver figure
-
Inclination with respect to the sea: 40 degrees
-
Google Earths Location: 13 4817.00 S 76
2203.47W
|
|
 |
|
|
Why So Many Photos? |
|
The
goal of our website is to present multiple
views of each symbol for three reasons:
1) the lines are extremely difficult to
photograph due to lighting conditions and
the condition of the geoglyph itself,
2) to provide better context of
the symbol, showing some of its surrounding area,
and
3) because different views provide a
better understanding of the style of design
and perhaps a greater appreciation of the
genius of the constructors.
more science
» |
|
 |
|
|

|
|
|
Map of the Paracas Candelabro
location |
|
|
 |
|
|
Paracas
Peninsula |
|
|
 |
 |
|
The
Paracas coast |
|
|
 |
 |
|
Just
inland from the Paracas Bay is total
sand dune desert |
|
|
|
|
|
Drawing of
the Paracas Candelabro |

|
|
|
|
|
|
|
|
|
 |
 |
|
The
Great Dune Desert Of Paracas |
|
|
|
|
|
|
East of the town of Paracas lies a
vast desert of giant sand dunes.
Here too, you can find ancient
geoglyphs, such as these: Long Lines,
a huge barely visible Broad Runway,
and a Grid of lines similar to the
Checkerboard of Cantalloc. |
 |
|
|
|
|
|
|
|
The
Paracas culture was an important
Andean society between approximately
750 BCE and 100 CE that developed in
the Paracas Peninsula, located in
what today is the Paracas District
of the Pisco Province in the Ica
Region. Most of our information
about the lives of the Paracas
people comes from excavations at the
large seaside Paracas necropolis,
first investigated by the Peruvian
archaeologist Julio Tello in
the 1920s. The necropolis of
Wari Kayan consisted of
multitudes of large subterranean
burial chambers, with an average
capacity of about forty mummies. It
is theorized that each large chamber
would be owned by a specific family
or clan, who would place their dead
ancestors in the burial over the
course of many generations. Each
mummy was bound with cord to hold it
in place, and then wrapped in many
layers of incredibly intricate,
ornate, and finely woven textiles.
These textiles are now known as some
of the finest ever produced in the
history of Pre-Columbian Andean
societies, and are the primary works
of art by which Paracas is known.
They had extensive knowledge of
irrigation and water management. |
 |
|
|
|
|
|
|
|
Paracas culture - Early Horizon, 300
-100 B.C.
This is a typical blackware jar in
the Paracas "Cavernas" style.
|
|
|
|
|
|
Paracas
geographically, 700 - 1 B.C., was a complex
of cemeteries and habitation areas
located on the arid Paracas
Peninsula on the south coast of
Peru. Paracas was discovered in 1925
by the famous Peruvian
archaeologist, Julio C. Tello. Tello
uncovered hundreds of mummy bundles
wrapped in multiple layers of
exquisitely decorated textiles,
including mantles or shrouds.
Sometimes more than sixty layers of
textiles covered one mummy. These
garments were elaborately
embroidered in rich colors of red,
dark blue, dark green and yellow.
The textiles seem to have been made
primarily for inclusion in the mummy
bundles (rather than for use by the
living).
By 300 B.C.,
Paracas weavers were
using camelid fibre (probably alpaca
from the highlands) to fashion tiny
figures that decorated the borders
of mantles. Paracas ceramics include
some post-fired painted pots
decorated in earth tones, and
monochrome pottery in the shapes of
plants and animals. Birds were
prominent in the Paracas landscape
and appear more frequently than any
other animal in Paracas ceramics.
This example depicts a falcon, an
impressive creature, which is known
for its unusual ability to seize
other birds in mid-flight. |
 |
|
|
|
|
 |
 |
|
A Paracas Mummy |
|
|
 |
 |
|
MUSEO REGIONAL DE ICA: Deformed
Cranium high fashion in the Paracas
Culture
|
|
|
 |
 |
|
How
could separate culture of South and
Central America arrive at the same
cosmetic disfigurement? |
|
|
 |
 |
|
Not
only did they deform but also
engaged in brain surgery |
|
|
|
|
|
|
Pisco
Province in the Ica Department of
Peru |
|
|